Shorthouse alludes to William Smith's philosophical novel;Thorndale。;
As a picture of Thought developments in the early Victorian period�察 �the
latter work has special historical interest for the philosophical and
theological student�察�in this respect it may be likened to Pater's ;Marius the
Epicurean�察─�which vividly reproduces the Intellectual ferment of an earlier
age。 ;Thorndale�察─�however�察 �is primarily didactic�察 �and the philosophical
dialogues ��interesting as these are to the metaphysician�� hardly atone to
the general reader for an almost entire absence of plot。 The above is�察�
doubtless�察 �an altogether extreme instance�察 �but the exclusion of several
other works from the category of Romance seems to follow on something
like the same grounds。 Becker's ;Charicles; and ;Gallus; are little more
than school textbooks�察 �while�察 �turning to a less scholarly quarter�察�
Ainsworth's ;Preston Fight�察─ �and even his better´known ;Guy Fawkes�察─�
may be cited as illustrating what Mr。 Shorthouse means when he speaks of
novels ;in which a small amount of fiction has been introduced simply for
the purpose of relating History。; In all such cases the average novel´
reader feels that he has been allured on false pretences。 I am well aware
that not a few of the books included in my List might be considered to fall
under the same ban�察�but I think it will be found that in most of them there
is at least a fair attempt to arouse narrative interest。
ing to the List itself�察�it will be noticed that I have been somewhat
sparing in the books given under the ;Pre´Christian; heading。 Novels
dealing with these very far´off times are apt to be unsatisfactory�察�the mist
in which events and personages are enveloped�察 �takes away from that
appearance of reality which is the great charm of the historical novel。 We
are hardly concerned�察 �in reading ;Sarchedon; and similar books�察 �to get
away from the purely imaginary pictures which spring from the Novelist's
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A Guide to the Best Historical Novels and Tales
own brain�察 �and the danger is that the very elements which add to our
interest in the tale as such�察�will go far to mislead us in our conception of
the period dealt with。 There is none of that sense of familiarity which we
enjoy when reading a sixteenth or seventeenth century romance�察 �in the
latter case�察�the historical background�察�being easily perceptible�察�merges for
us with the creations of the author's own imagination。 Where the writer
of an ;ancient; romance happens to be a scholar like Ebers�察�we feel that
so far at least as historical presentment goeswe cannot be far wrong�察�but
the bination of great scholarship and narrative capacity is�察 �alas�察 �too
rare� �
I have likewise refrained from giving many tales dealing with Early´
Christian times。 We are here�察 �it must be admitted�察 �on controversial
ground�察�and under the First Century heading I have endeavoured to insert
romances of the highest quality only。 For instance�察 �I think that Dr。
Abbott's ;Philochristus; and Wallace's ;Ben Hur; ought to satisfy two
different types of readers。 And this is the place�察�doubtless�察�to say that in
my lists will be found books of widely differing merit and aim。 School
teachers�察 �and others in like capacity�察 �will easily discriminate between
authors suitable for juvenile or untrained tastes�察�and authors whose appeal
is specially to those of maturer thought and experience。 Differing as
much in method and style as in choice of period and character type�察�
Thackeray's ;Vanity Fair; and George Eliot's ;Romola; have at least this
in monthey require a very high degree of intelligence for their due
appreciation。 Who�察 �among those of us with any knowledge of such
works�察 �would dream of remending them to a youthful reader fresh
from the perusal of Miss Yonge's ;Little Duke�察─ �or Captain Marryatt's
;Children of the New Forest;�拭�
Naturally in a list of this kind there is bound to be very great inequality�察�
certain periods have been wholly ignored by writers of the first rank�察�while
in others we have something like an embarras de richesse。 Consequently�察�
I have been pelled�察�here and there�察�to insert authors of only mediocre
merit。 In other cases�察�again�察�I have not hesitated to omit works by writers
of acknowledged position when these have seemed below the author's
usual standard�察�and where no gap had to be filled。 I would instance the
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James II。´ William III。 period。 Here Stanley Weyman and ;Edna Lyall;
might have been represented�察 �but�察 �there being no dearth of good novels
dealing with both the above reigns�察�I did not deem it advisable to call in
these popular writers at the point which has been very generally
considered their lowest。 I mention this to show that omissions do not
necessarily mean ignorance�察�though�察�in covering such an immense ground�察�
I cannot doubt that romances worthy of a place in my list have been
overlooked。
I think many will be surprised to find how large a proportion of our
best writers ��English and American�� have entered the domain of Historical
or Semi´Historical Romance。 Scott�察 �Thackeray�察 �Dickens�察 �George Eliot�察�
Charlotte Bronte�察�George Meredith�察�R。 L。 Stevenson�察�Hawthorne�察�Peacock�察�
Charles Kingsley�察�Henry Kingsley�察�Charles Reade�察�Anthony Trollope�察�Mrs。
Gaskell�察�Walter Besant�察�Lytton�察�Disraeli�察�J。 H。 Newman�察�J。 A。 Froude�察�and
Walter Paterthese are a few of the names which appear in the following
pages�察 �while Tolstoy�察 �Dumas�察 �Balzac�察 �George Sand�察 �Victor Hugo�察 �De
Vigny�察 �Prosper Merimee�察 �Flaubert�察�Theophile Gautier�察 �Freytag�察 �Scheffel�察�
Hauff�察 �Auerbach�察 �Manzoni�察 �Perez Galdos�察 �Merejkowski�察 �Topelius�察�
Sienkiewicz�察�and Jokai are�察�perhaps�察�the chief amongst those representing
Literatures other than our own。
;The Last Days of Pompeii�察─ �The Gladiators�察─ �Hypatia�察─ �Harold�察─�
;Ivanhoe�察─ �The Talisman�察─ �Maid Marian�察─ �The Last of the Barons�察─�
;Quentin Durward�察─ �Romola�察─ �The Cloister and the Hearth�察─ �The
Palace of the King�察─ �Westward Ho� ┌察 �Kenilworth�察─ �The Chaplet of
Pearls�察─ �A Gentleman of France�察─ �John Inglesant�察─ �The Three
Musketeers�察─ �Twenty Years After�察─ �Woodstock�察─ �Peveril of the Peak�察─�
;Old Mortality�察─ ─ �The Betrothed Lovers; �─�I Promessi Sposi;���察 �Lorna
Doone�察─ �The Refugees�察─ �In the Golden Days�察─ �The Courtship of Morice
Buckler�察─ �Dorothy Forster�察─ �The Men of the Moss Hags�察─ �Esmond�察─�
;The Virginians�察─ �Heart of Midlothian�察─ �Waverley�察─ �The Master of
Ballantrae�察─ �Kidnapped�察─ �Catriona�察─ �The Chaplain of the Fleet�察─ �The
Seats of the Mighty�察─ �Barnaby Rudge�察─ �A Tale of Two Cities�察─ �War and
Peace;what visions do these mere titles arouse within many of us� �And�察�
弌戻幣�紺� 指概 [Enter] 囚 卦指慕朕��梓 ○ 囚 卦指貧匯匈�� 梓 ★ 囚 序秘和匯匈。
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