tructed to use only the most attractive performers。 He shot everything at regular light intensity； but I used a special process to print below the recognition threshold。 Then I intercut the sex footage with the block…letter messages。〃 He unfolded some of the print…out。 〃This first sequence lasts another forty seconds。 Then there is a two…second pause； and another message is presented in the same fashion。〃
0143 VISUALWOMAN FINGERING CLITORIS
0144 VISUALWOMAN FINGERING CLITORIS
0145 VISUALMAN STROKING DETUMESCENT PENIS
0146 VISUALMAN STROKING DETUMESCENT PENIS
0147 VISUALMAN STROKING DETUMESCENT PENIS
0148 THIS LEGENDSUBMISSION TO THE KEY…FREEDOM FROM FAILURE
0149 THIS LEGENDSUBMISSION TO THE KEY…FREEDOM FROM FAILURE
0150 THIS LEGENDSUBMISSION TO THE KEY…FREEDOM FROM FAILURE
0151 VISUALWOMAN SMILING AT ERECT PENIS
0152 VISUALWOMAN SMILING AT ERECT PENIS
0153 VISUALWOMAN SMILING AT ERECT PENIS
0154 THIS LEGENDSUBMISSION TO THE KEY…FREEDOM FROM FAILURE
0155 THIS LEGENDSUBMISSION TO THE KEY…FREEDOM FROM FAILURE
0156 VISUALWOMAN DOMINANT INTERCOURSE
0157 VISUALWOMAN DOMINANT INTERCOURSE
0155 VISUAL…WOMAN DOMINANT INTERCOURSE
0159 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0160 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0161 VISUALDOG STYLE INTERCOURSE
0162 VISUALDOG STYLE INTERCOURSE
0163 VISUALDOG STYLE INTERCOURSE
0164 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0165 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0166 VISUALWOMAN'S FACE EXPRESSING ECSTASY
0167 VISUALWOMAN'S FACE EXPRESSING ECSTASY
0168 VISUALWOMAN'S FACE EXPRESSING ECSTASY
0169 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0170 THIS LEGENDSUBMISSION TO THE KEY …FREEDOM FROM FAILURE
0171 VISUALEJACULATION ON WOMAN'S BUTTOCKS
0172 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0173 VISUALEJACULATION ON WOMAN'S BUTTOCKS
0174 THIS LEGENDSUBMISSION TO THE KEY… FREEDOM FROM FAILURE
0175 VISUALWOMAN'S FACE EXPRESSING ECSTASY
〃I see the pattern；〃 Klinger said。 〃How many of these 'legends' were there？〃
They were standing at one of the puter consoles。 Saisbury' leaned over and used the keyboard。
One of the screens mounted on the wall began a line…print：
KEY/LOCK STAGE ONE BLOCK…LETTER MESSAGES； IN ORDER OF
APPEARANCE； AS FOLLOWS：
01 OBEDIENCE TO THE KEY…SATISFACTION
02 SUBMISSION TO THE KEY…FREEDOM FROM FAILURE
03 SUBMISSION TO THE KEY…FREEDOM FROM FEAR
04 SUBMISSION TO THE KEY…FREEDOM FROM GUILT
05 SUBMISSION TO THE KEY…FREEDOM FROM WORRY
06 SUBMISSION TO THE KEY…FREEDOM FROM MORAL CODES
07 SUBMISSION TO THE KEY…FREEDOM FROM RESPONSIBILITY
08 SUBMISSION TO THE KEY…FREEDOM FROM DEPRESSION
09 SUBMISSION TO THE KEY…FREEDOM FROM TENSION
10 SUBMISSION TO THE KEY…CONTENTMENT
11 SUBMISSION TO THE KEY…HAPPINESS
12 SUBMISSION TO THE KEY…YOUR GREATEST DESIRE
Salsbury touched a tab on the console。
The screen went blank。
〃The series was repeated three times through the film。〃
〃The same thing the second night？〃 Klinger asked。 〃No。〃 He picked up another folded print…out from the seat of the console chair and exchanged it for the stage one analysis。 〃The first minute is spent securing the。 subjects' undivided attention； as it was in the first film。 The difference between stage one and stage two bees evident starting with the second minute。〃
0061 VISUALWOMAN WEEPING
0062 VISUALWOMAN WEEPING
0063 VISUALWOMAN WEEPING
0064 VISUALMAN WEEPING
0065 VISUALMAN WEEPING
0066 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0067 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0065 VISUALWOMAN； COVERED WITH BLOOD； SCREAMING
0069 VISUALWOMAN； COVERED WITH BLOOD； SCREAMING
0070 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0071 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0072 VISUALMAN； COVERED WITH BLOOD； SCREAMING
0073 VISUALMAN； COVERED WITH BLOOD； SCREAMING
0074 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0075 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0076 VISUALWOMAN； COVERED WITH BLOOD； SCREAMING
0077 VISUALMAN； COVERED WITH BLOOD； SCREAMING
0076 THIS LEGENDREFUSAL TO OBEY THE KEY…PAIN
0079 THIS LEGENDPAIN； PAIN； PAINi PAIN
0080 NO CONTENT
0081 NO CONTENT
0082 VISUALWOMAN SMILING AT ERECT PENIS
〃The second stage of the program alternates between negative reinforcement and positive reinforcement；〃 Salsbury said。 〃The next twenty…five seconds are devoted to a sex reinforcement sequence much like those you saw on the first print…out。 Skip ahead just a bit。〃
0110 VISUALWOLF'S FACE； SNARLING
0111 VISUALWOLF'S FACE； SNARLING
0112 VISUALSCORPION STINGING A MOUSE
0113 VISUALSCORPION STINGING A MOUSE
0114 VISUALCOFFIN
0115 VISUALCOFFIN
0116 VISUALCOFFIN
0117 THIS LEGENDREFUSAL TO OBEY THE KEY…DEATH
0118 THIS LEGENDREFUSAL TO OBEY THE KEY…DEATH
0119 VISUALHUMAN SKULL
0120 VISUALHUMAN SKULL
0121 VISUALROTTING CORPSE
0122 THIS LEGENDREFUSAL TO OBEY THE KEY…DEATH
0123 VISUALROTTING CORPSE
0124 THIS LEGENDREFUSAL TO OBEY THE KEY…DEATH
Looking up from the print…out； Klinger said； 〃Do you mean that death is as effective as sex in subliminal persuasion？〃
〃Nearly so； yes。 In advertising； subliminals can be used to establish the same sort of motivational equation with death as with sex。 According to Wilson Bryan Key； who wrote a book about the nature of subceptive manipulation a few years back； the first use of death images might have e in a Calvert Whiskey ad that appeared in a number of magazines in 1971。 Since then hundreds of death symbols have bee standard tools of the major ad agencies。〃
Putting down the second print…out； the general said； 〃What about the third stage？ What was hidden in the film you showed them on the third night？〃
Salsbury had another length of puter paper。 〃In the beginning； this one just reinforces and strengthens the messages and effects of the first two films。 It's broken down into tenths of seconds in some places because by this time the subjects are primed for faster input； rapid…fire mands。 Like the others； it really begins with the second minute。〃
0060 00 VISUALWOMAN'S FACE EXPRESSING ECSTASY
0061 00 THIS LEGENDOBEDIENCE TO THE KEY…SATISFACTION
0061 05 VISUALPENIS EJACULATING
0062 00 VISUALWOMAN'S FACE EXPRESSING ECSTASY
0062 05 THIS LEGENDOBEDIENCE TO THE KEY…SATISFACTION
0063 00 VISUALWOMAN WEEPING
0063 03 VISUALMAN WEEPING
0063 06 VISUALWOLF'S FACE； SNARLING
0063 09 VISUALSCORPION STINGING A MOUSE
0064 02 VISUALCOFFIN
0064 05 THIS LEGENDREFUSAL TO OBEY THE KEY…DEATH
0065 00 VISUALWOMAN KISSING PENIS
0065 05 VISUALPENIS SLIDING BETWEEN WOMAN'S BREASTS
0065 08 VISUALPENIS ENTERING VAGINA
0066 00 THIS LEGENDSUBMISSION TO THE KEYFREEDOM FROM FAILURE
0066 05 VISUALSEVERED； BLOODY HUMAN ARM
0066 08 VISUALROTTING CORPSE
Farther on； both the tempo and the emotional impact of the images increased drastically：
0800 00 VISUALHUMAN HEAD WITH GUNSHOT WOUND
0800 02 VISUALDEAD VIETNAMESE BABY
0800 04 VISUALMAGGOTS IN PIECE OF BEEF
0800 06 VISUALRAT'S FACE； SNARLING
0800 07 VISUALWOLF'S FACE； SNARLING
0800 08 VISUALCOFFIN
0600 09 VISUALMAGGOTS IN PIECE OF BEEF
0801 00 THIS LEGENDREFUSAL TO OBEY THE KEY…DEATH
0801 02 VISUALERECT PENIS
0801 04 VISUALWOMAN'S FACE EXPRESSING ECSTASY
0801 06 VISUALTONGUE ON CLITORIS
0801 08 VISUALWOMAN KISSING PENIS
0801 09 VISUALPENIS IN VAGINA
0802 00 VISUALEJACULATION ON WOMAN'S PUBIC HAIR
0802 01 THIS LEGENDSUBMISSION TO THE KEY…YOUR GREATEST DESIRE
Much farther on； faster and faster：
2400 00 VISUALDEAD BABY'S FACE； CLOSE…UP
2400 01 VISUALMAGGOTS IN HORSE MANURE
2400 02 THIS LEGENDREFUSE THE KEY： DEATH
2400 03 VISUALMAN FINGERING CLITORIS
2400 04 VISUALWOMAN LICKING PENIS
2400 05 THIS LEGENDSUBMIT TO THE KEY： HAPPINESS
2400 06 VISUALSTEAMING ENTRAILS OF COW
2400 07 THIS LEGENDREFUSAL： PAlN
2400 08 THIS LEGENDREFUSAL： DEATH
2400 09 VISUALEJACULATION INTO WOMAN'S MOUTH
2401 00 VISUALWOMAN'S FACE EXPRESSING ECSTASY
2401 01 THIS LEGEND_…SUBMISSION： HAPPINESS
2401 02 THIS LEGENDSUBMISSION： BLISS
Eventually； there was less